Tuesday, 26 April 2011

An 'improbable' CYCLE2KENYA
























The painting is based on a photo which I saw in a magazine last summer, when I started drawing and painting.

I am dedicating the picture to two mad cyclists, Tim and Matt, who are planning to Cycle2Kenya to raise funds for Turning Point. My daughter, Jo and another son, Jonny are going there with Graceworks this summer to help with a Kids Summer School. In fact all our kids have been there. But the sponsored cycle is for the farms, to help resettle people out of the slums and into a new life. Matt's sister, Emily works there. Read her excellent blog: God in the Slums

It is a long way, around 5000 miles. But the problem is that the democratic movements and protests in the Middle East are making cycling through Syria and even Lebanon/Jordan difficult. And it will be during Ramadan! And if they go from Turkey to Egypt by boat then there is still the Sudan to negotiate. Wars and rumours of wars......

My old lonely planet copy of 'Middle East on a Shoestring' (1997) puts it quite clearly:
'while there are a few places and occasions in the Middle East where a bicycle would be useful, there are many more where it would be a distinct liability. Many long distance routes in the Middle East are arduous, even for motorists and for a cyclist they would be both difficult and dangerous. The distances the climate, the terrain and the politics all make cycling a most improbable method of long distance transport'

They have been loaned a very sturdy Tandem to make it even more 'improbable'. So that got me thinking about 'improbability' and so I found a few inspiring quotes:

"Aim for the impossible and you will achieve the improbable". — Camillo Särs

"Probable impossibilities are to be preferred to improbable possibilities"
-- Aristotle

At first, dreams seem impossible, then improbable – and eventually, inevitable.’ -- Christopher Reeve ("Superman")


I for one am right behind them in their improbability and am supporting them in any way I can. But that's inevitable...

You can follow their exploits on Facebook and Twitter, read their CYCLE2KENYA blog and donate online at Just Giving. They are seeking to raise over £11,000......


Monday, 25 April 2011

Out with the Angels on Easter Saturday
























'Angel of Light' is another picture I had seen that I decided to paint. It was inspired by the idea of the Street Angels.....

We were on duty on Friday night/Saturday morning (10pm to 4 am). This is the dark time between Good Friday and Easter Sunday, which is traditionally viewed as the time when Jesus descended to the place of the dead. The Harrowing of Hell. This is based on the concept of the gospel being proclaimed 'to the spirits in prison' (1 Peter 3:19-20) 'even to the dead' (1 Peter 4:6).

I remember a few years back visiting Ypres on the Easter Saturday, to see the battle fields of the 1st World War and the vast cemeteries, full of the fallen. And the Menin Gate for those who have no remains, but are still memories. Hearing the 'Last Post' being played by Belgian buglers is very evocative. It seemed strangely appropriate to be exploring the remembrance of such carnage on such a day.

And in a different way it seemed right to be on the street of Woking on such a night.
A very different scene, not of carnage, but of revelry and merry making for most. Violence and drunkenness for some. The police are out in force, because of incidents that inevitably happen when people have been drinking heavily. Arrests are often made, which is one of the reasons the police are so supportive of the Street Angels - they help to bring down the crime rate.

It was not a particularly dramatic night. We spent a lot of time talking to East European bouncers, and Pakistani taxi drivers. Plus staff at the late night fast food joints. And giving our lollipops to youngsters. Some took liberties. One 18 year old man had about a dozen and kept on nicking them from others. He was very flirtatious with my companion angel, who took it all in her stride. Another female angel, was told "you're f***ing beautiful, for an older woman"! That is, more or less, what you might call a compliment! So they angels are having an impact on the streets of Woking, one way or another.

Maybe the evening was marked for me by a long conversation with a older man, Paul, in an old combat jacket, somewhat worse for wear. He seemed more than happy to talk. He joked and talked about his alcohol problem, a took occassional swigs from his cider bottle. But he went on his way a little more cheerful, after nearly an hour's chat.

Some of our number picked up lots of bottles and also reported a council waste bin that had been set alight. The fire-brigade soon put that one out. One of my growing concerns is where people go to the toilet other than watering the council plants. (I can feel a campaign coming on.)

The Street Angels seek to be a presence on the streets offering support and conversation to those who want it. Clearing up bottles and broken glass. Trying to ensure the streets are safe, so people can have a good time. And I do believe talking to people helps to defuse potentially dangerous situations, so they do not get out of hand. I wonder if things would be worse if we were not there, but that would be difficult to prove.

I suppose Easter Saturday is also about putting out fires, coming alongside people, shining in the darkness ...... Not so sure where the lollipops fit in.

Tuesday, 19 April 2011

my soul is quiet within me
























This is a painting I did (based on one I saw on google images) inspired by the Lectio Divina experience I mentioned previously. It is based on Psalm 131 'as a child lies quiet in its mother's arms so my soul is quiet within me' There is something about 'divine reading' that has the effect of stilling the soul. It is about resting. I wrote a blog before about Lectio Divina as the ladder of monks - and the sense of ascending into God's presence.

The following are some of the materials we used in our sacred:space evening
"Lectio divina is an authentic source of Christian spirituality recommended by our Rule. We therefore practice it every day, so that we may develop a deep and genuine love for it, and so that we may grow in the surpassing knowledge of Christ. In this way we shall put into practice the Apostle Paul’s commandment, which is mentioned in our Rule: “Let the sword of the spirit, the Word of God, live abundantly in your mouth and in your hearts; and whatever you must do, do it in the name of the Lord.” Carmelite Constitutions (No. 82)


"Lectio Divina", a Latin term, means "divine reading" and describes a way of reading the Scriptures whereby we gradually let go of our own agenda and open ourselves to what God wants to say to us. In the 12th century, a Carthusian monk called Guigo, described the stages which he saw as essential to the practice of Lectio Divina. There are various ways of practicing Lectio Divina either individually or in groups but Guigo's description remains fundamental.







He said that the first stage is lectio (reading) where we read the Word of God, slowly and reflectively so that it sinks into us. Any passage of Scripture can be used for this way of prayer but the passage should not be too long.

The second stage is meditatio (reflection) where we think about the text we have chosen and ruminate upon it so that we take from it what God wants to give us.

The third stage is oratio (response) where we leave our thinking aside and simply let our hearts speak to God. This response is inspired by our reflection on the Word of God.

The final stage of Lectio Divina is contemplatio (rest) where we let go not only of our own ideas, plans and meditations but also of our holy words and thoughts. We simply rest in the Word of God. We listen at the deepest level of our being to God who speaks within us with a still small voice. As we listen, we are gradually transformed from within.


"To get the full flavor of an herb, it must be pressed between the fingers, so it is the same with the Scriptures; the more familiar they become, the more they reveal their hidden treasures and yield their indescribable riches." John Chrysostom, 347-407
AD



Monday, 18 April 2011

Lectio Divina: the ladder of Monks























The painting is a version I did of Jacob's dream (based on a pic I saw on the net). It can be seen as an analogy of a spiritual journey and has been used as a metaphor to describe Lectio Divina.... based on the story in Gen 28:12 when Jacob dreamt of a 'stairway to heaven' Read more about Lectio Divina as a ladder with 4 rungs:
The ladder of Monks by Guigo the Carthusian

I mentioned sacred:space and my encounter with Psalm 131 through Lectio Divina in a previous post Caroline complied the following instructions - Try them out with one of the suggested passages. The suggestions come from a website soul shepherding

Genesis 18: 1-15; Psalm 23; Psalm 27: 1-6; Psalm 42: 1-8; Psalm 46:1-10; Psalm 63: 1-8; Psalm 84: 1-10; Psalm 131; Isaiah 43: 1-4; Isaiah 53: 4-8; Ezekiel 34: 11-16; Song of Songs 2: 10-14; Matthew 5: 3-12; Luke 6: 37-42; John 1: 1-5; John 14: 9-20; John 15: 1-10; Romans 8: 31-39; 1 Corinthians 13: 4-13; Galatians 5: 22-26; Ephesians 3: 14-21; Revelation 7: 14-17; Revelation 21: 1-7
Firstly, prepare yourself. Get comfortable and allow yourself to become calm and silent. Perhaps focus on your breathing for a few minutes. Submit yourself and the exercise to God.

1) Read the passage through slowly, several times. Be attentive for any words or phrases which particularly connect with you; which seem to be for you today. If you wish, underline or write down the words which have caught your attention

2) Take the word or phrase into yourself. Memorize it and slowly repeat it to yourself, allowing it to interact with your inner world of concerns, memories and ideas. Notice any thoughts or feelings which arise during this process.

3) Speak to God. Whether you use words or ideas or images or all three is not important. Offer to Him whatever thoughts, feelings or memories the passage has stirred up in you. This may involve confessing a sin, confronting a struggle or a past hurt, or recognising a longing within yourself.

Allow God’s Spirit and His Word to dialogue with you about the matters you have raised, bringing His acceptance, forgiveness, comfort and healing. Allow Him to inform and transform your ideas and memories.

4) Simply rest in God’s presence, experiencing His love and grace, His joy and peace. You are tasting His goodness. You may have no need for words. You may wish to return to the words of the passage, or to note a particular invitation or affirmation which you sense God is giving you.

Do not worry about assessing the quality of your lectio divina as if you were “performing” or seeking some goal. Lectio divina has no goal other than that of being in the presence of God by praying the Scriptures

Saturday, 16 April 2011

CROSS+WORDS


















These are the images I will be using for the 3 hour Good Friday Meditation as part of sacred:space. They are by Dutch artist Huub Bogaers. I like them a lot. They add meaning and context to the seven last words of Jesus.

A version of these images is available here: Crosswords Anyone using them is asked to let the artist know and make a donation to Mission. (contact details on the website)

1. THE WORD OF FORGIVENESS

“Then said Jesus, Father, forgive them, for they know not what they do” (Luke 23:34)



2. THE WORD OF ASSURANCE

“And he said unto Jesus, Lord, remember me when you come into your kingdom. And Jesus said unto him, Truly I say to you, Today you will be with me in Paradise” (Luke 23:42-43)


3. THE WORD OF COMFORT

“When Jesus therefore saw his mother, and the disciple standing by whom he loved, he said to his mother, Woman, behold your son! Then he said to the disciple, Behold your mother! And from that hour that disciple took her unto his own home” (John 19:26-27)


4. THE WORD OF DESOLATION

“Now from the sixth hour there was darkness over a# the land until the ninth hour. And about the ninth hour Jesus cried with a loud voice, saying, Eli, Eli, lama, sabachthani? That is to say, My God, my God, why have you forsaken me?” (Matthew 27:45-46).


5. THE WORD OF SUFFERING

“After this, Jesus knowing that a# things were now accomplished, that the Scripture might be fulfilled, said, I thirst” (John 19:28).



6. THE WORD OF TRIUMPH

“When Jesus therefore had received the vinegar, he said, It is finished” (John 19:30)



7. THE WORD OF COMMITTAL

“And when Jesus had cried with a loud voice, he said, Father into your hands – I commend my spirit; and having said that, he gave up his spirit” (Luke 23:46)


Friday, 15 April 2011

Creating Social Capital
























This is my version of a painting of the miracle of the loaves and fishes, by Sieger Koder the German painter-priest. It is based on the famous sunday school passage and the little boy who provides for 5000 plus:

Matthew 14:16-18 But Jesus said to them, "They do not need to go away; you give them something to eat!" 17And they said to Him, "We have here only five loaves and two fish." 18And He said, "Bring them here to Me."

Read the complete account in Matthew 14, Mark 6, Luke 9 and John 6.

This is a story of a miracle. Some would say a parable. But it illustrates a principle of provision - of taking the little we have and using it and somehow in the process there is multiplication. Maybe by example as others also shared what they had brought with them. More likely by the unexpected, the miraculous, by divine intervention.

This is really odd math: 5+2 = 5000 + 12 ! A lot of people fed and a lot of leftovers (one basket per disciple) Each one with more than they started with...
The story has inspired many in different ways - Just 2 examples: eDevotions for Growing Christians and a clever New Zealand website of resources for evangelism called simply 5loaves2fishes

To me it says something about the creation of social capital and the power of participation. How the resources of the crowd can be utilised once they are realeased. About how weare not alone and must always expect the unexpected. God will provide

For some reason it reminds me of the 5 Venn principles of CMS (maybe its just the number 5 thats the link) I've added my 'commentary' on the principles (in brackets and italics) from the story.

The five founding principles of John Venn, in founding the Society for Missions to Africa and the East (later to become CMS) in 1799 were:

  1. Follow God’s leading; (doing just as Jesus instructed)
  2. Begin on a small scale; (just 5 loaves and 2 fish is a small beginning!)
  3. Put money in second place because money follows ministry; let prayer, study and mutual converse precede its collection; (they prayed and talked and collected - not money - just 5loaves&2fish)
  4. Success depends on sending people of the highest calibre; (The disciples were high calibre - in God's eyes)
  5. Depend wholly upon the Spirit of God. (which is what they did...then the miracle happened)


Friday, 8 April 2011

Robin Redbreast























I came across the poem by Wordsworth and it reminded me of the friendly Robins we have in the bottom of our garden. Very familiar and interested in what I'm up to, especially when any digging or wood-chopping takes place. They are particularly interested whenever I play birdsong on my i-phone! It confuses them a bit and they respond. It almost feels like we are having a conversation.

The painting tries to capture the curiosity of a robin listening intently (in a sort of Van Goghesque style). The poem is about a Robin chasing a butterfly.... which I have not yet witnessed. I like the cultural bits about the bird's name in different countries. And the dilemma and tension around two aspects of nature that mankind enjoys, at obvious odds with each other rather than in idealistic harmony. a bit of 'nature raw in tooth and claw'

The Redbreast Chasing the Butterfly by William Wordsworth

Art thou the bird whom Man loves best,
The pious bird with the scarlet breast,
Our little English Robin;
The bird that comes about our doors
When Autumn-winds are sobbing?
Art thou the Peter of Norway Boors?
Their Thomas in Finland,
And Russia far inland?
The bird, that by some name or other
All men who know thee call their brother,
The darling of children and men?
Could Father Adam open his eyes
And see this sight beneath the skies,
He'd wish to close them again.
-If the Butterfly knew but his friend,
Hither his
flight he would bend;
And find his way to me,
Under the branches of the tree:
In and out, he darts about;
Can this be the bird, to man so good,
That, after their bewildering,
Covered with leaves the little children,
So painfully in the wood?

What ailed thee, Robin, that thou could'st pursue
A beautiful creature,
That is gentle by nature?
Beneath the summer sky
From flower to flower let him fly;
'Tis all that he wishes to do.
The cheerer Thou of our in-door sadness,
He is the friend of our summer gladness:
What hinders, then, that ye should be
Playmates in the sunny weather,
And fly about in the air together!
His beautiful wings in crimson are drest,
A crimson as bright as thine own:
Would'st thou be happy in thy nest,
O pious Bird! whom man loves best,
Love him, or leave him alone!