Play Time in Seoul - Happy Armed Force's Day!

I was passing by the shops in the Bukchon Hanok Village area of Seoul,  when I was grabbed by an image in a window, and discovered an exhibition  ......

Play Time-Dana Ramon Kapelian Exhibition, 1-13 Oct 2013, Jongno-gu

The visual artist, a French-Israeli photographer, who studied in San Franscisco, was present and happily signed a card with the soldier image. I commented that it was an appropriate image for Korea's Armed Forces Day. (celebrated every 1st October, to mark the 38th parrallel being taken in the Korean War)  She hadn't made the connection ....

The image made me think of the thin line between play and reality, and how even great empires play at war. The war between the North and South Korea is still being played out, under an fragile truce.  Yesterday's parade was all about a show of strength (see BBC news) another type of exhibition. But it is a more costly game, and countless lives are lost. As the old protest song goes: 'when will they ever learn, when will they ever learn?' 

The exhibition is entitled PLAY TIME  and her other images are previewed here
It is currently on at Gallery Gahoedong 60, presenting the solo exhibition of the Israeli artist, Dana Ramon Kapelian.   She writes about the exhibition: 

The images are about the boundary between a child's imagination and an adults fantasies and actions. It is all in the seer's mind.Things can be interpreted as innocent or devious, playful or full of temptation.

and the text that inspired her .....

In many shamanic societies, if you came to a shaman or medicine person
complaining of being disheartened, dispirited, or depressed, they would ask one of four questions.
When did you stop dancing?
When did you stop singing?
When did you stop being enchanted by stories?
When did you stop finding comfort in the sweet territory of silence?
Where we have stopped dancing, singing, being enchanted by stories, or finding
comfort in silence is where we have experienced the loss of soul.
Dancing, singing, storytelling, and silence are the four universal healing salves.
by Angeles Arrien Ph.D.
(the author of The Four-Fold Way: Walking the Paths of the Warrior, Healer, Teacher and Visionary)

Singing, dancing, stories and silence... I like that.   There is something about becoming like a little child in order to enter the Kingdom of God ....


I'm staying at the Doo Guesthouse.  It's a traditional Hanok style of Guest house. Very Korean.  
I'm taking the opportunity to catch up with some blogging. (I'm surprised to discover its been nearly 3 months - I'll try to fill in some of the gaps with some retro blogging - a new word I've just made up!)  

Not quite what you would call a typical day at the office  but #someonehastodoit. It's just a part of the life on the road, wandering for the love of God

ENTRY

During a clergy quiet day at St Columba's in Woking, the chaplain  Rev Gillain Holland invited us to meditate on among other things, two of her fathers paintings.  Paul Robertson is a  Surrey born artist who has produced a series of religious festival themed paintings.  we were left simply with space to mediate with the painting and some accompanying notes. I found them stunning..

this is the description of ENTRY from his website 

 A series of paintings in which the use of colour, symbolism and evocative shapes and feelings express my thoughts about the Easter story. 'Entry' is a portrayal of the possible feelings of Jesus as He moved purposefully from the open countryside (e.g. Luke 7 v. 16-17), with its known areas of support (e.g. Luke 5 v. 11, 15), to set His face towards Jerusalem (Luke 9 v. 51). Hosannas echo in the air, 'white harvest' lines converge on the path descending into the confines of oppressive religion. The coruscating sun-shapes repeat downwards representing the Son who, willingly, went down for us. The branches and leaves spelling out 'Hosanna' (Mark 11 v. 9) change to 'Crucify' (Mark 15 v. 13) as they fall into the pit. The dark night of the soul approaches. The crown of glory is exchanged for the crown of thorns. The paths, rocky ground and brambles are reminders of the dangers in the parable of the sower (Mark 4 v. 3 ff).

Gillain informs me that more of her father, Paul Robertson's paintings will be available at St Columba's House during Lent and Easter.  I found the geometrical shapes, colours and images gripping and layered with meaning.

Holy Ground (and sacred:space) are running a multi-sensory, participatory vigil on Easter Saturday from 8pm to midnight. I'll be there and look forward to seeing the paintings among many other things.  Why not come along.....